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Highlighting forgotten, neglected, abandoned, forsaken, unrecognized, unacknowledged, overshadowed, out-of-fashion, under-translated writers. Has no one read your books? You are in good company.

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50 Watts (WS)
Invisible Stories (SS)
(un)justly (un)read (JS)

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These writers are famous in some part of the internet or the world. Some may be famous in your own family or in your own mind.

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Dalkey Archive Press, or How to Publish Writers No One Reads

[The following was written by Stephen (SS), a bookseller and panelist on the Best Translated Book Award jury—and, as a caveat, a one-time employee of Dalkey Archive. Any responses should be directed to him. I apologize to those of you not interested in polemics. Nevertheless, it’s my hope that among the followers of this blog, which represents a sizeable community of readers who care about discovering and disseminating works that are too easily overlooked, there will be some who care enough to feel that the actions of Dalkey Archive Press are, at the very least, irresponsible.]

To reward you for at least scrolling past this rant on your dashboard, the three of us at WNOR offer some book recommendations below.

[NOTE: As of December 7, Dalkey Archive submitted several worthy titles (as PDFs) to the BTBA committee.]

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A few weeks ago, I learned through Chad Post, organizer of the Best Translated Book Award, that Dalkey Archive Press, who publish the most translations per year of any English-language publisher, was withdrawing from the competition, citing expenses. The justification offered was that sending eligible titles to the members of the nine-person judging panel, of which I am a member, leaves “a smoking hole in [our] budget.” (Despite the fact that the judges all accept PDFs.) Tacked on to this already questionable excuse was the kicker: “And… we’ve never won.”

As a reader and a bookseller, I’ve long been passionate about translated fiction. Along with inimitable New Directions, which served as a model for Dalkey’s early efforts, Dalkey Archive has always seemed to me one of the most daring publishers in the United States. The Press brings to English-language readers work from across the world, often publishing the kind of challenging and innovative fiction that larger, for-profit publishing houses would never touch. Their list is rich in significant, enduring titles and I can happily say that during the course of my career I have sold hundreds of copies of these books.

So it’s a real disappointment—less for myself than for those whose reading worlds just got a little smaller for lack of exposure to Dalkey’s books—that (a) a publisher of this caliber would withdraw from a competition designed to promote translated literature, their ostensible raison d’etre and (b) that their excuse for doing so would be so transparently insincere. In his reaction to this move, Chad Post, who in addition to organizing the BTBA also runs Three Percent, a good resource for readers interested in translated literature, effectively sums up the reasons why a publisher claiming budget concerns in their refusal to send books to the judges is baseless. (It boils down to this: it would cost Dalkey in total about $120 to mail books to the panelists.) Even if we accept for a moment the possibility that the Press is in such desperate financial straits that it can’t afford to mail—or, again, to email!—books to judges, the lack of consideration the publisher is demonstrating toward its authors and translators, the cultural agencies who underwrite the work, and the readers the Press ostensibly aims to reach is galling.

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